Unravel the mystery of a missing cardinal by solving the riddle of a demonic power you did not expect to come upon. Face your inner demons and fight the power of evil while it seduces your soul. Play as the wittiest, pop-culture referencing priest in video game history and face an ultimate game over, if you make the angels cry you a river.
Valeria Emiliani Henriquez
The Padre is a retro stylised 3D horror adventure game tapping deep into the roots of classic horror games. The dark and striking atmosphere is often cut by the wicked humour of the always witty Padre. You will need to use your brains to solve challenging puzzles, as well as your brawns to fend off monsters, all at the same time while you try to unravel the mysteries of the mansion, yourself and the eternal fight between good and evil. Widsmob viewer pro 1 2 1018. Be weary though, if you fail enough times it’s a permanent GAME OVER for you!
We’re a group of game-crazed enthusiasts working in a virtual team that are not limited by country borders. Although originating in Europe, we have team members all over the world who share our passion. We are on a quest to create games missing from the market. Games that don’t exist anymore or never exited before.
![Padre Padre](https://upload.wikimedia.org/wikipedia/commons/thumb/b/b5/Andr%C3%A9s_Percivale.jpg/245px-Andr%C3%A9s_Percivale.jpg)
The Padre 2018 Imdb
Directed by Scott Stewart. With Paul Bettany, Cam Gigandet, Maggie Q, Karl Urban. A priest disobeys church law to track down the vampires who kidnapped his niece.
The Padre 2018 Imdb
Our members are drawn to unique ideas, with the ultimate goal being to make the gamer, YOU, happy by capturing and encapsulating moods and experiences and giving you a front row seat to them. Games can change the world. We are set on proving it.
'The Padre' isn't a sharp genre creation, but there's a compelling feel for the culture and desperation, dusted with just a little bit of humor to ease appreciation. Movie Quotes Search Engine. Find any quote in millions of movie lines. All quotes are time-based contextualized, and linked with the imdb movie database.
The complicating factor is Lena, played by Valeria Henriquez, who’s trying to quit Colombia for the U.S., albeit not for an entirely conventional reason. Now in her late teens, she’s learned a trick or two; the film’s opening scene has her trying to bribe, without success, a passport office official for a visa. Stumbling upon the scamming Padre just as he seems about to fall into Nemes’ clutches, she piggybacks on his car-thieving escape.
The movie is tolerable during the pursuit, even if the leads are playing roles that are clearly reprises if not retreads of past glories for them (Nolte recalls the cranky cops of the “48 Hours” movies, while Roth essays a less frantic variation on any one of the hoodlums he’s played on and off since the 1990s). And speaking of retreads, Luis Guzmán is here too, playing Nemes’ for-hire sidekick, and here, too , is familiar ground for the actor. Newcomer Henriquez is appealing, and her character’s search for a father figure, or something, is not unconvincingly portrayed. Lena comes from poverty, and in one scene she marvels at a motel swimming pool; another girl her age sniffs that the pool is crummy, and that she can’t believe she has to stay in such a hole, and Henriquez portrays Lena’s slight humbling with commendable nuance. Cisdem video converter 5 2 0 3.
The Padre 2018 Imdb
Director Jonathan Sobol has an apt if not avid eye for gritty and colorful locations, and when the movie is at its most loose-limbed it’s a pleasure to watch. But around the time the director resorts to a trunk-point-of-view shot that’s turned into a not-terribly-flattering imitation of “Pulp Fiction,” “The Padre” begins to take itself more seriously than the wafer-thin back stories of the opposing characters should allow. Given that the viewer is more likely to gravitate toward an investment in Lena than in either of the grizzled fellows, the question of which of them is most likely to be redeemed becomes almost academic by the time the script starts breaking out the Melville quotations. In a sense it’s pleasant to see Nolte, Roth and Guzmán settling into their roles as if they were old slippers, but these great performers aren’t completely outfitted to settle for Greatest Hits work. Are they?